Direct-to-video followups
In July 1999, Disney announced that they were planning a sequel for Tarzan.[92] In 2002, Tarzan & Jane was released as a direct-to-video sequel, with Michael T. Weiss replacing Goldwyn as the voice of Tarzan. Tarzan II, a direct-to-video follow-up, was released in 2005.
A Broadway musical produced by Disney Theatrical, also titled Tarzan, began previews on March 24, 2006. It had an official opening night on May 10 of the same year. After running for over a year on Broadway, the show closed on July 8, 2007.[93]
Five Tarzan video games have been released on various platforms. Tarzan's home is also featured as a playable world, "Deep Jungle", in the 2002 game Kingdom Hearts, and in the 2013 HD remaster Kingdom Hearts HD 1.5 Remix, in which Goldwyn and Blessed were the only actors from the film to reprise their roles, while Jane was voiced by Naia Kelly and Audrey Wasilewski reprised her role as Terk from the 1999 video game based on the film; Kerchak and Kala appeared, but were silent, while Tantor and Professor Porter were absent. The world was originally meant to return in Kingdom Hearts: Chain of Memories, but ultimately did not appear and has not appeared in any subsequent Kingdom Hearts games.
Edgar Rice Burroughs, Inc. holds the rights of Tarzan[5] as the use of these characters are since limited. During the production of House of Mouse episodes, crew members, Roberts "Bobs" Gannaway and Tony Craig, were forbidden to use these characters in the show, alongside restricting the use of other characters by different owners except only allowing Disney characters from the original source material.[94] Also regarding Burroughs' ownership, the characters are omitted from Disney Emoji Blitz (app run by Jam City).[95]
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Tarzan est le 59e long-métrage d'animation et le 37e « Classique d'animation » des studios Disney. Sorti en 1999 et réalisé par Kevin Lima et Chris Buck, il est inspiré du personnage créé par Edgar Rice Burroughs en 1912.
Une suite sortie directement en vidéo, Tarzan 2, a été donnée au film en 2005, ainsi qu'une série télévisée, La Légende de Tarzan (2001-2003), dont La Légende de Tarzan et Jane (2002) constitue une compilation.
Ses parents dévorés par un léopard (Sabor) après avoir bâti un campement dans la jungle alors qu'il n'était encore qu'un nourrisson, Tarzan est recueilli par Kala, une femelle gorille qui a perdu son bébé, lui aussi dévoré par le léopard. Tarzan grandit alors dans la jungle en compagnie de Tok, la gorille et de Tantor, l'éléphant mais souffre de la différence qui l'écarte du reste du troupeau.
Un beau jour, après une bataille contre Sabor s'ensuivant par la mort du fauve, il découvre dans la jungle un groupe d’explorateurs dans lequel se trouvent Jane Porter et son père à la recherche de gorilles. Tarzan refuse de les emmener voir sa famille car un certain Clayton, le protecteur de Jane et son père, est armé. Mais lorsque Tarzan apprend que Jane quitte la jungle pour retourner en Angleterre, il accepte de les conduire jusqu'à sa famille.
Malheureusement, Tarzan est considéré comme un traître par le chef du troupeau, Kerchak, qui malgré son lien matrimonial avec Kala n'a jamais aimé Tarzan et ne l'a jamais considéré comme son fils. Tarzan gagnera peu à peu sa confiance en repoussant Clayton venu pour capturer et vendre les gorilles du troupeau. Il conquerra aussi le cœur de Jane jusqu’à ce qu'elle décide de rester auprès de lui dans la jungle.
Version française des chansons coréalisée par Phil Collins et Éric Serra
Sources : IMDb et générique DVD.
Tarzan de Walt Disney Pictures fut la première adaptation animée majeure de l'œuvre d'Edgar Rice Burroughs.
La production de Tarzan commence en 1995. Kevin Lima qui venait de terminer Dingo et Max est nommé réalisateur avec Chris Buck qui signe sa première réalisation.
Les animateurs ont été réparties en deux équipes, l'une au studio Walt Disney Animation France de Montreuil et l'autre à Burbank. Glen Keane dirige l'animation de Tarzan à Paris, tandis que Ken Duncan dirige l'animation de Jane à Burbank.
Glen Keane s'inspire des mouvements de skateboard, de snowboard et du surf pour peaufiner l'animation de Tarzan.
Pour créer les décors en trois dimensions, l'équipe de production de Tarzan a développé une technique de peinture et de rendu 3D nommée Deep Canvas. Elle permet aux artistes de réaliser des décors en images de synthèse ressemblant aux décors traditionnels, selon le directeur artistique Daniel St. Pierre.
En 1995, Phil Collins a été engagé dans le projet pour signer les chansons du film.
La bande originale du film est composée par Mark Mancina, le producteur et arrangeur de la musique du film Le Roi Lion.
Le budget de Tarzan est estimé à 130 millions de dollars.
La première de Tarzan a lieu le 12 juin 1999 au El Capitan Theatre en présence de l'équipe du film suivie d'un concert de Phil Collins interprétant les chansons du film avant une sortie nationale le 18 juin 1999. Le 23 juillet 1999, le film est projeté en numérique dans seulement trois salles dont Pleasure Island de Walt Disney World. C'est la première fois qu'un film est projeté en numérique.
Le film reçoit un bon accueil de la part de la critique qui apprécie l'animation et la musique.
En France, le film est le deuxième plus gros succès en salles de l'année 1999 derrière Astérix et Obélix contre César et devant Star Wars, épisode I : La Menace Fantôme.
Animated Disney film directed by Kevin Lima and Chris Buck
Tarzan is a 1999 American animated coming-of-age[3] adventure comedy-drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is based on the 1912 story Tarzan of the Apes by Edgar Rice Burroughs, being the first animated major motion picture version of the story. The film was directed by Kevin Lima and Chris Buck (in his feature directorial debut) and produced by Bonnie Arnold, from a screenplay written by Tab Murphy and the writing team of Bob Tzudiker and Noni White. It stars the voices of Tony Goldwyn as the title character along with Minnie Driver, Glenn Close, Rosie O'Donnell, Brian Blessed, Lance Henriksen, Wayne Knight, and Nigel Hawthorne.
Pre-production of Tarzan began in 1995, with Lima selected as director[4] and Buck joining him the same year. Following Murphy's first draft, Tzudiker, White, Dave Reynolds, and Jeffrey Stepakoff (the latter two of whom received additional screenplay credits in the final cut), were brought in to reconstruct the third act and add additional material to the screenplay. English recording artist Phil Collins was recruited to compose and record songs integrated with a score by Mark Mancina. Meanwhile, the production team embarked on a research trip to Uganda and Kenya to study the gorillas. The animation of the film combines 2D hand-drawn animation with the extensive use of computer-generated imagery, and it was done in California, Orlando, and Paris, with the pioneering computer animation software system Deep Canvas being predominantly used to create three-dimensional backgrounds.
Tarzan premiered at the El Capitan Theatre in Los Angeles on June 12, 1999, and was released in the United States on June 18. It received positive reviews from critics, who praised its voice performances, music, animation, and action sequences. Against a production budget of $130 million (then the most expensive traditionally animated film ever made until Treasure Planet in 2002), the film grossed $448.2 million worldwide, becoming the fifth highest-grossing film of 1999, the second highest-grossing animated film of 1999 behind Toy Story 2, and the first Disney animated feature to open at first place at the North American box office since Pocahontas (1995). It won the Academy Award for Best Original Song ("You'll Be in My Heart" by Phil Collins). The film has led to many derived works, such as a Broadway adaptation, a television series, and two direct-to-video followups, Tarzan & Jane (2002) and Tarzan II (2005). Due to licensing issues with Edgar Rice Burroughs, Inc., the use of these characters are limited.[5]
In the 1880s, a British couple and their infant son are shipwrecked in Equatorial Africa. The adults build a treehouse, but are killed by a leopard named Sabor. Kala, a local gorilla whose son was also killed by Sabor, finds the human infant and adopts him, naming him Tarzan.
As a child, Tarzan befriends Kala's niece Terk and the paranoid elephant Tantor. Because of his different appearance and unorthodox behaviors, Tarzan finds himself treated differently by the other gorillas, and by Kerchak, the troop's leader and Kala's mate. Tarzan makes valiant efforts to improve himself as he grows; several years later, Sabor attacks the gorillas, but Tarzan kills the leopard, gaining Kerchak's reluctant respect.
Meanwhile, British explorer Archimedes Q. Porter, his daughter Jane, and their hunter escort William Cecil Clayton arrive in Africa to study the gorillas. Jane accidentally becomes separated from the others and is chased by baboons, until a curious Tarzan rescues her. After comparing her to himself, he realizes they are the same species. Jane leads Tarzan back to their camp, where Porter and Clayton both take interest in him; the former in terms of scientific progress, while the latter hopes to have Tarzan lead the group to the gorillas. Despite Kerchak's warnings to avoid the strangers, Tarzan repeatedly returns to the camp. The Porters and Clayton teach him how to speak English properly, and tell him what the human world is like. Tarzan and Jane begin a romantic relationship; however, she has difficulty convincing Tarzan to lead the humans to the gorillas, as Tarzan fears Kerchak's fury.
As the explorers' ship returns to retrieve them, Jane asks Tarzan to travel to England with her; however, when she says it is unlikely they will return to Africa, Tarzan tries persuading Jane to stay with him instead. Clayton tricks Tarzan into believing Jane will stay in Africa in exchange for her seeing the gorillas. Tarzan persuades Terk and Tantor to lure Kerchak away, and leads the trio to the nesting grounds. The Porters are excitedly to mingle with the gorillas, but Kerchak returns to attack the humans. Tarzan restrains Kerchak while the humans escape, disappointing Kerchak. Taking Tarzan to the treehouse where she found him, Kala reveals his heritage and says she wants him to be happy whatever he decides.
In the morning, Tarzan boards the ship, accompanied by the Porters, but Clayton and his traitorous group of stowaway thugs ambush the trio. Now aware of the location of the nesting grounds, Clayton plans to capture and sell the gorillas for a fortune, and imprisons Tarzan and the Porters to prevent their interference. Tarzan escapes with the help of Terk and Tantor, and he rallies the other animals to help the gorillas fight Clayton's thugs. Clayton fatally wounds Kerchak and enters the rainforest canopy to fight Tarzan, but inadvertently falls and hangs himself on a vine. Before Kerchak dies, he finally accepts Tarzan as his son and names him the gorilla troop's leader.
The next day, the Porters prepare to leave on the ship, while Tarzan stays behind with the gorillas. As the ship's rowboat leaves shore, Porter encourages his daughter to stay with the man she loves, and Jane jumps overboard, followed soon after by her father. The Porters reunite with Tarzan and his family, and embark on their new life together.
Disney's Tarzan was the first Tarzan film to be animated.[14] Thomas Schumacher, then-president of Walt Disney Feature Animation, expressed surprise there hadn't been any previous attempts to animate a Tarzan film, saying, "Here is a book that cries out to be animated. Yet we're the first filmmakers to have ever taken Tarzan from page to screen and presented the character as Burroughs intended." He noted that in animated form, Tarzan can connect to the animals on a deeper level than he can in live-action versions.
In 1994, when A Goofy Movie (1995) was nearly finished, Kevin Lima was approached to direct Tarzan by then-studio chairman Jeffrey Katzenberg. He had desired to have the film animated through the Disney Television Animation division with a new animation studio established in Canada. Lima was reluctant to the idea because of the animation complexities being done by inexperienced animators. Following Katzenberg's resignation from the Walt Disney Company, Lima was again contacted about the project by Michael Eisner, who decided to have the film produced through the Feature Animation division, by which Lima signed on.[16]
Following this, Lima decided to read Tarzan of the Apes where he began to visualize the theme of two hands being held up against each other. That image became an important symbol of the relationships between characters in the film, and a metaphor of Tarzan's search for identity. "I was looking for something that would underscore Tarzan's sense of being alike, yet different from his ape family", Lima said, "The image of touching hands was first conceived as an idea for how Tarzan realizes he and Jane are physically the same."
Following his two-month study of the book, Lima approached his friend, Chris Buck, who had just wrapped up work as a supervising animator on Pocahontas (1995), to ask if he would be interested in serving as co-director. Buck was initially skeptical but accepted after hearing Lima's ideas for the film.[18] By April 1995, the Los Angeles Times reported that the film was in its preliminary stages with Lima and Buck directing after Disney had obtained the story rights from the estate of Edgar Rice Burroughs.[19]
Tab Murphy, who had just finished work on The Hunchback of Notre Dame (1996), was attracted to the theme of man-versus-nature in Tarzan, and began developing a treatment in January 1995. For the third act, Murphy suggested that Tarzan should leave for England, as he did in the book, but the directors felt that it was incompatible with their central theme of what defines a family. In order to keep Tarzan in the jungle, the third act needed to be restructured by redefining the role of the villain and inventing a way to endanger the gorillas. In this departure from Burroughs' novel, a villain named Clayton was created to serve as a guide for Professor Archimedes Q. Porter and his daughter, Jane. In addition to this, Kerchak was re-characterized from a savage silverback into the protector of the gorilla tribe.[22]
In January 1997, husband-and-wife screenwriting duo Bob Tzudiker and Noni White were hired to help refocus and add humor to the script as a way to balance the emotional weight of the film. Comedy writer Dave Reynolds was also brought on to write humorous dialogue for the film.[24] "I was initially hired on for six weeks of rewriting and punch-up", Reynolds said, "A year and a half later, I finished. Either they liked my work, or I was very bad at time management." One challenge the writers faced was how Tarzan should learn about his past. "When Kala takes Tarzan back to the tree house, she is essentially telling him that he was adopted", Bonnie Arnold, the producer for Tarzan, said, "This is necessitated by him encountering humans and recognizing he is one of them." As a way to explore the feelings in that scene, Arnold brought in adoptive parents to talk with the story team.
The animators were split into two teams, one in Paris and one in Burbank. The 6000-mile distance and difference in time zones posed challenges for collaboration, especially for scenes with Tarzan and Jane. Glen Keane was the supervising animator for Tarzan at the Paris studio, while Ken Duncan was the supervising animator for Jane at the studio in Burbank. To make coordinating scenes with multiple characters easier, the animators used a system called a "scene machine" that could send rough drawings between the two animation studios. Meanwhile, following production on Mulan (1998), two hundred animators at Walt Disney Feature Animation Florida provided character animation and special effects animation where the filmmakers had to discuss their work through daily video conferences among the three studios.[28]
Keane was inspired to make Tarzan "surf" through the trees because of his son's interest in extreme sports, and he began working on a test scene. The directors expressed concern that Tarzan would be made into a "surfer dude". In October 1996, Keane revealed the test animation to them, which they liked it enough that it was used during the "Son of Man" sequence, with movements inspired by skateboarder Tony Hawk. Although Keane initially thought that Tarzan would be easy to animate because he only wears a loincloth, he realized that he would need a fully working human musculature while still being able to move like an animal. To figure out Tarzan's movements, the Paris animation team studied different animals in order to transpose their movements onto him. They also consulted with a professor of anatomy. This resulted in Tarzan being the first Disney character to accurately display working muscles.
To prepare for animating the gorillas, the animation team attended lectures on primates, made trips to zoos, and studied nature documentaries, with a group of animators also witnessing a gorilla dissection to learn about their musculature. In March 1996, the production team began a two-week safari in Kenya to take reference photographs and observe the animals. On the trip, they visited Bwindi Impenetrable National Park in Uganda to view mountain gorillas in the wild, and get inspiration for the setting. In 2000, Chris Buck repeated the journey accompanied by journalists to promote the film's home video release.[33]
To create the sweeping 3D backgrounds, Tarzan's production team developed a 3D painting and rendering technique known as Deep Canvas (a term coined by artist/engineer Eric Daniels).[34] This technique allows artists to produce CGI backgrounds that look like a traditional painting, according to art director Daniel St. Pierre.[34] (The software keeps track of brushstrokes applied in 3D space.)[34] For this advancement, the Academy of Motion Picture Arts and Sciences awarded the creators of Deep Canvas a Technical Achievement Award in 2003. After Tarzan, Deep Canvas was used for a number of sequences in Atlantis: The Lost Empire (2001), particularly large panoramic shots of the island and several action sequences. Expanded to support moving objects as part of the background, Deep Canvas was used to create about 75 percent of the environments in Disney's next major animated action film, Treasure Planet (2002).
In 1995, Phil Collins was initially brought onto the project as a songwriter following a recommendation by Disney music executive Chris Montan. Early into production, directors Kevin Lima and Chris Buck decided not to follow Disney's musical tradition by having the characters sing. "I did not want Tarzan to sing", Lima stated, "I just couldn't see this half-naked man sitting on a branch breaking out in song. I thought it would be ridiculous."[7] Instead, Collins would perform the songs in the film serving as the narrator.[35][36] The choice of Collins, a popular and well established adult contemporary artist, led to comparisons with Elton John's earlier music for The Lion King (1994).[37] Tarzan was dubbed in thirty-five languages—the most for any Disney movie at the time,[38] and Collins recorded his songs in French, Italian, German, and Spanish for the dubbed versions of the film's soundtrack.[38][39] According to Collins, most of the songs he wrote for Tarzan came from improvisation sessions and his reactions while reading the treatment. Three of the songs he wrote—"Son of Man", "Trashin' the Camp", and "Strangers Like Me"—were based on his initial impressions after he read the source material. The other two songs were "You'll Be in My Heart", a lullaby sung to Tarzan by Kala (voiced by Glenn Close), and "Two Worlds", a song Collins wrote to serve as the anthem for Tarzan.
The instrumental scoring for the film was composed by Mark Mancina, who had previously produced music for The Lion King (1994), and the musical of the same name. Mancina and Collins worked closely to create music that would complement the film's setting and used many obscure instruments from Mancina's personal collection in the score. "The idea of score and song arrangement came together as one entity, as Phil and I worked in tandem to create what's heard in the film", Mancina said.
On June 12, 1999, the film premiered at the El Capitan Theater with the cast and filmmakers as attendees followed by a forty-minute concert with Phil Collins performing songs from the film.[43] On July 23, 1999, Disney launched a digital projection release of Tarzan released only in three theatrical venues including Walt Disney World's Pleasure Island multiplex for three weeks. Although Star Wars: Episode I – The Phantom Menace and An Ideal Husband had been given earlier digital projection releases despite being shot on photographic film, Tarzan was notable for being the first major feature release to have been produced, mastered, and projected digitally.[44][45]
Disney Consumer Products released a series of toys, books, and stuffed animals for Tarzan, partnering with Mattel to produce a line of plush toys and action figures.[46] Mattel also produced the Rad Repeatin' Tarzan action figure, but discontinued it after complaints regarding the toy's onanistic arm motions.[47] Continuing its advertising alliance with McDonald's, its promotional campaign began on the film's opening day with several toys accompanied with Happy Meals and soda straws that replicated the Tarzan yell.[48] Disney also worked with Nestle to create Tarzan themed candies, including a banana-flavored chocolate bar.[49] In early 2000, Disney partnered again with McDonald's to release a set of eight Happy Meal toys as a tie-in for the film's home video.[50] They also offered Tarzan themed food options, such as banana sundaes and jungle burgers.[51]
On February 1, 2000, the film was released on VHS and DVD, as well as on LaserDisc on June 23, 2000, only in Japan, making Tarzan the last Disney animated feature to be released on the latter format.[52] The DVD version contained bonus material, including the "Strangers Like Me" music video, the making of "Trashin' the Camp" featuring Collins and 'N Sync, and an interactive trivia game.[53] A 2-Disc Collector's Edition was released on April 18, 2000. It included an audio commentary track recorded by the filmmakers, behind-the-scenes footage, and supplements that detailed the legacy of Tarzan and the film's development.[54] These THX certified DVD releases also featured a sneak peek for Dinosaur (2000), and a DVD-ROM.[55] Both editions were placed in moratorium on January 31, 2002, and placed back into the Disney Vault.[56] By January 2001, the film was the most successful home video release of 2000, earning retail revenues of $268 million.[57]
On October 18, 2005, Disney released the Tarzan Special Edition on DVD. Tarzan's first Blu-ray edition was released throughout Europe in early 2012, and on August 12, 2014, Disney released the Tarzan Special Edition on Blu-ray, DVD, and Digital HD.[58][59]
Pre-release box office tracking indicated that Tarzan was appealing to all four major demographics noticeably for the first time for a Disney animated film since The Lion King (1994).[60] The film was given a limited release on June 16, 1999,[1] and its wide release followed two days later in 3,005 screens. During the weekend of June 18–21, Tarzan grossed $34.1 million ranking first at the box office, beating out Austin Powers: The Spy Who Shagged Me (1999) and The General's Daughter (1999).[61] At the time, it also ranked second behind The Lion King (1994), which had earned $40.9 million, as the highest-earning box office opening for a Disney animated film.[62] By August 1999, the domestic gross was projected to approach $170 million.[63] Ultimately, the film closed its box office run earning $448.2 million worldwide.[1]
Rotten Tomatoes reported that 89% of critics gave the film a positive review based on 106 reviews, with an average score of 7.6/10. The critical consensus reads that "Disney's Tarzan takes the well-known story to a new level with spirited animation, a brisk pace, and some thrilling action set-pieces."[64] Metacritic, which assigns a normalized rating out of 100 from top reviews from mainstream critics, calculated a score of 79 based on 27 reviews, indicating "generally favorable reviews".[65] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[66]
Entertainment Weekly compared the film's advancement in visual effects to that of The Matrix, stating that it had "the neatest computer-generated background work since Keanu Reeves did the backstroke in slow motion". They elaborate by describing how the characters moved seamlessly through the backgrounds themselves, giving the film a unique three-dimensional feel that far surpassed the quality of previous live-action attempts.[67] Roger Ebert gave the film his highest rating of four stars, and he had similar comments about the film, describing it as representing "another attempt by Disney to push the envelope of animation", with scenes that "move through space with a freedom undreamed of in older animated films, and unattainable by any live-action process".[68] Awarding the film three stars, James Berardinelli wrote: "From a purely visual standpoint, this may be the most impressive of all of Disney's traditionally animated features. The backdrops are lush, the characters are well realized, and the action sequences are dizzying, with frequent changes of perspectives and camera angles. No conventional animated film has been this ambitious before."[69] Desson Howe, writing for The Washington Post, claimed the film "isn't up there with Aladdin, The Lion King and The Little Mermaid, but it's easily above the riffraff ranks of Hercules and Pocahontas".[70] Todd McCarthy of Variety proved to be less amused by the animation, claiming it was "richly detailed and colorfully conceived, but the computer animation and graphics are often intermingled and combined in ways that are more distracting in their differences than helpful in their vividness".[71]
Lisa Schwarzbaum, who graded the film an A−, applauded the film as "a thrilling saga about a natural man, untainted by the complications of 'civilized' life, who can anticipate changes in the air by sniffing the wind — swings because the Disney team, having sniffed the wind, went out on a limb and kept things simple".[72] Peter Stack of the San Francisco Chronicle admired the film for tackling "meanings of family relationships and ideas about society, guardianship and compassion" and "cunning and greed and the ultimate evil", as well as remaining faithful to Burroughs's original novel.[73] Kenneth Turan of Los Angeles Times wrote that the "story unfolds with dangers as well as warm humor; a jungle jam session called 'Trashin' the Camp' is especially hard to resist. We may have seen it all before, but when it's done up like this, experiencing it all over again is a pleasure."[74] Janet Maslin, reviewing for The New York Times, similarly opined that "Tarzan initially looks and sounds like more of the same, to the point where Phil Collins is singing the words 'trust your heart' by the third line of his opening song. But it proves to be one of the more exotic blooms in the Disney hothouse, what with voluptuous flora, hordes of fauna, charming characters and excitingly kinetic animation that gracefully incorporates computer-generated motion."[75]
The Radio Times review was not as positive, stating the film "falls way short of Disney's best output" and featured "weak comic relief". The review concluded, "Lacking the epic sweep of Mulan or The Lion King, and laced with feeble background songs from Phil Collins (inexplicably awarded an Oscar), this King of the Swingers may be merchandise-friendly, but it's no jungle VIP."[76] Michael Wilmington of the Chicago Tribune, while giving the film three stars, wrote that Tarzan "lacks that special pizazz that the string of Disney cartoon features from The Little Mermaid through The Lion King all had". He found faults in the film's removal of all African characters, lack of romantic tension between Tarzan and Jane, and the songs by Phil Collins, comparing them unfavorably with Elton John's "showstoppers" for The Lion King. He wrote "depriving the characters of big numbers weakens the movie".[77]
Ty Burr of Entertainment Weekly gave the soundtrack a B−, stating that it was awkwardly split between Collins's songs and the traditional score, was burdened by too many alternate versions of the tracks, and in some instances bore similarities to the scores of The Lion King and Star Wars.[78]
The film is recognized by American Film Institute in these lists:
A spin-off animated series, The Legend of Tarzan, ran from 2001 to 2003. The series picks up where the film left off, with Tarzan adjusting to his new role as leader of the apes following Kerchak's death, and Jane (whom he has since married) adjusting to life in the jungle.
